Friday, April 24, 2015

Week 4 MedTech and Art

Week 4
MedTech + Art
In the beginning, it is difficult to understand the connection between medical technology and art which seems to be two completely different disciplines. Medicine is sometimes considered a science, and sometimes an art; one object of medical science is to study human body. One example that convinces me is the visible human project, which managed to cut a male and a female cadaver into thin slices and then photographed and digitized to form a database. The figure below shows a number of slices of human body which is studied for different applications.

Although the actual development progress sounds a bit weird, there is no doubt that the project brings to much benefits to fields of both art and science. For artists, the project gave their access to a detailed dataset and a number of clear cross-sectional images of specific parts which might serve as references when they are creating their own artistic work on human body.

The figure above is a piece designed by Italian sculptor Matteo Pugliese who lives and works in Milan. His bronze sculptures of men, often made from multiple components, appear to be trapped in the vertical space of gallery walls. The work shows his talent in understanding of human muscles and joints.

More valuable applications of Visible Human Project are in educational aspects.

The figure above shows a product from ToLTech designed to meet our users' developing requirements for a thorough understanding of the human body. It also provides virtual surgery programs which could be used in training for medical students or scholars.


Reference
1.     Panda, S. C. "Medicine: science or art?." Mens sana monographs 4.1 (2006): 127.
2.     Reilly, Sally O. The body in contemporary art. London: Thames & Hudson, 2009.
3.     Vesna, Victoria. Medicine Body Lecture. Video. 2015
4.     ArthroSim Arthroscopy Simulator, TolTech.
Web<http://www.toltech.net/medical-simulators/products/arthrosim-arthroscopy-simulator>.
5.     Sculture e Lavori, Matteo Pugliese,


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